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❶Soon, however, they are enticed into doing so by the resolute women. The impact totally transforms the individual to such an extent that he is a completely different person.

Critical Evaluation

by Aristophanes
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Essays on Lysistrata

The inspiration is so great and effective that there is a revolutionary change in the individual and he becomes a new individual altogether. However, the change could be for the better or for the worse. The influence could be negative in…… [Read More]. Lysistrata Make Love Not War.

Thus, the play "Lysistrata" is not about the evils of war in general but the specific evils of Greeks fighting Greeks in civil wars, when they should be united against common enemies like the tyrannical Persians, as depicted by Herodotus when Spartans and Greeks fought against the tyrant Darius.

This is blatantly stated in the words of the Spartan Ambassador, at the end of the play: Lysistrata Thomas Crofts States in.

Thomas could have been much more in-depth and comprehensive in his approach, but perhaps felt that it was not his duty to include to much in his writings. Crofts does inform the reader that the play "is coarse and blunt in its expression," v yet the simplistic form adapted by Aristophane made the play simpler in its approach and left the reader with a pleasant taste in the mouth, rather than a taste of 'having to wash' one might normally feel based on the sexuality that is quite blatant in the play.

Thomas Crofts makes the point that the type of language contained in the play "corresponds to the bluntness, the casualness of the deaths that overtook so many Athenian men…… [Read More].

Lysistrata What Could Possibly Be. Magistrate The why do you turn aside and hold your cloak So far out from your body? Is your groin swollen The humor in this passage pertains to the fact that the Herald has an erection.

The reason he has an erection, of course, is because Lysistrata's plan is working and the women in Sparta have not had sex with the men. This produces the hilarious effect of the men walking around with huge erections that they cannot appease without the consent of their women.

There are other specific facets of this passage that make a mockery of war as well. For instance, the Magistrate assumes the herald's erection is a lance -- which is a clever way of Aristophanes using war as a metaphor for sex.

The implications of this passage, of course, is that without sex there is very little important in the world -- especially war and…… [Read More]. Lysistrata by Aristophanes and Women. Women have brains, too, and want to be included in important decisions by the government. Pushing women aside, as the men of Athens and ome did, can only lead to trouble in the end, as these two works clearly indicate.

If Aristophanes is biased, it seems he favors the women's demands for peace. He makes the Commissioner look ridiculous by having the women turn him into a woman, and he makes the women much more quick-witted and funny. It seems he designed the play to highlight women and their powers, while Livy showed real history with a decidedly male-oriented bias.

He presents both arguments in his essay, but he uses words that indicate he thinks the women should stay where they are and stop running around outside their homes, making demands and causing trouble. In addition, Livy does not give any of…… [Read More]. Lysistrata as an Example of a Pre-Modern. Lysistrata as an example of a pre-modern display of feminism in action, the foundations of the work demonstrate scheming and interfering women.

War was serious business for men and women who had both the power and the desire to interfere with it would not have been thought of kindly. Though this work by Aristophanes is clearly thought of as a comedy, being compared to bawdy works of the burlesque period it is also a depiction of the power that women had over men to guide and control them.

Aristophone's Lysistrata and Homer's the. He will gain wisdom and eventually come home to his wife only after he went through ten years of experiences that contributed to his formation. Odysseus' crew on the ship and the women kept prisoners at the Akropolis are equally blinded by their own desires and ready to give up their sense of duty or responsibility to those they made a commitment.

Another striking difference between the two plays when it comes to sense of duty compared to personal satisfaction or love comes from the fact that the characters in the Lysistrata have to fight only their own urges and they are led by someone who is above all temptation, while those who are fighting to return home in the Odyssey are fighting not only their own weaknesses but also all the obstacles thrown before them by the immortals.

Moreover, their leader, the man they look up to is as…… [Read More]. This play takes place during the critical time period in which the Peloponnesian ar has devastated a significant part of Greece. It is largely satirical in its depiction of gender roles, and portrays men and women at odds with one another regarding a number of different matters, most notably the waging of the war itself. In many ways, the conventional roles ascribed to each gender are reversed within Lysistrata.

The women, who were largely subservient to the needs and whims of the men, are more assertive and proactive, while the men are oftentimes foiled by and subjected to the volition of the women. Interestingly enough, the author manages to intersect this satirical portrayal of gender roles with an anti-war sentiment that animates the women and…… [Read More]. Love Got to Do With it: A Critical Analysis of Hippolytus and Lysistrata.

If one reads Hippolytus and Lysistrata, one may immediately conclude that love has 'nothing' to do with anything. Many Greek plays discuss the subject of love in obtuse ways. Love is often the driving force of Greek tragedies, thought to inspire, incite and even enrage in many cases. While love is an important concept and theme, it is not always presented in a positive light in many plays.

This is certainly the case in Hippolytus and Lysistrata, which at best suggest that love is unnecessary or tragic. Hippolytus written by Euripides does so remarkably well, suggesting that love is something that can not only be manipulated by the Gods, but also something that is less tangible in some cases than passion and lust.

Lysistrata, written by Aristophanes, puts sex and power on a pedestal above love suggesting…… [Read More]. Power and Leadership as Exemplified. The fact that Lysistrata's "came to power" by virtue of her own leadership abilities which were recognized and celebrated by their peers rather than having them thrust upon her from above is pointed out by Ober , who reports, "The Athenians' demonstrated concern with native intelligence, their distrust of elite education, and their respect for the authority of the elders are parodied by Aristophanes, who mimics rhetorical topoi in the speech of Lysistrata, the female demagogue: Listen to my words I am a woman, but I'm smart enough Indeed, my mind's not bad at all.

Having listened to my father's discourses And those of the older men, I'm not ill educated. Lysistrata quoted in Ober at Indeed, Lysistrata's leadership qualities were clearly demonstrated in her ability to organize the women of Athens to show the warring men of the city just who in fact had "the power" suggests…… [Read More]. Both in are female-dominated plays that were produced by male-dominated societies and written by men.

Both the drama and the comedy features strong women as their central protagonists, whom are depicted under extreme circumstances, in relatively positive lights. And both plays, despite their very different tones, also have an additional, unique feature in that they show 'the enemy' -- or the non-Greek or non-Athenian, in a fairly positive and humane fashion.

The sympathies of the viewer for female's plights are immediately arisen by Aristophanes from the first scene of "Lysistrata," as Cleonice, the friend of Lysistrata, and a common Athenian housewife states, regarding the lateness of the other women that frustrates…… [Read More].

Aristophanic invective against a rival dramatist: Because it is a pun made on the name of the tragedian Dorillus or Dorilaos -- we are not sure of the spelling, since none of his work survives and the pun in Aristophanes' fragment is the chief testimony to his work -- Henderson finds a novel solution for translating this untranslatable joke: As a hint to the plot of the lost Lemnian women, the sense of sexual pleasure being deliberately withheld, as in Lysistrata, seems to adhere to this particular fragment: Heroic Ideal Greece Rome an Analysis of.

Heroic Ideal Greece, ome An Analysis of the Heroic Ideal from Ancient Greece to oman Empire The mythopoetic tradition in Greece begins with Homer's Iliad, which balances the heroic figures of Achilles and Hector, two opposing warriors and men of honor, amidst a war on which not even the gods are in agreement. Hector and Achilles mirror one another in nobility and strength and both represent an ideal heroic archetype of citizenry -- men who do battle to honor both their countries and their names.

To illustrate, however, the way the ideal of heroic citizenship changes from the Greek mythopoetic tradition through to the late Stoicism of oman imperialism, it is necessary to leap ahead several centuries and survey the several different bodies of work. The mythopoetic tradition in Greece somewhat continually dwells on the same themes with regard to heroic citizenship, whether in Homer or in the Golden Age…… [Read More].

Joshua's Goldstein Book 5th Edition. To explain what drives international relations, Joshua Goldstein provides a brief history of the world, in addition to information about the geographical features and the consequences of different nation's economies.

High school essays, college essays and university essays on any topics. Saturday, December 4, Essay on Lysistrata. Its main comedic device partly fails in our modern interpretation because of our more balanced views of women in the 21st century. The plot is shown to be fantasy, an absurd idea to the ancient Athenians.

This then is the root of its humour. Lysistrata deals with the sensitive and possibly offensive subject matter by parodying it. This shows the fictional element of the play, as in Aristophanes time in Athens, both women and men were known to have numerous adulterous affairs, and if the sex strike were to be successful, then the mistresses and all such people would have to be striking also. This plays on the real life frustrations of the war torn Athenians without bringing to light the darker aspects of war.

In some ways, Lysistrata was designed as a form of escapism for the audience, and to poke fun at the very things causing them pain.

Aristophanes ignores possible plot problems in order to present the delightfully comic idea of a sex strike. Another way Aristophanes turns grief into laughter is by describing things in terms of the human body.

This is a common method in Aristophanic plays, as metaphors or simply to talk around the subject. For example, towards the end of the play, Reconciliation is personified into the form of a beautiful young woman whom the men cannot take their eyes off.

The Spartan equivalent of Lysistrata, Lampito, is another example. This is a foreshadowing of the main plotline, in which the women, using their only real source of power orchestrate the sexual starvation of the men. This allows the audience to further switch off from the traditionally grim motif of war and enter a fantasy where war is dismissed as being second to sexual satisfaction.

The center of Lysistratas comedy is that it shows women acting bravely, even aggressively, against men who seem resolved on ruining the city. In ancient Greece, women were looked at as property, something beautiful to own, and did not have any redeeming social values.

To even consider putting a woman into a position where she was required to think outside her domestic purposes was laughable. Some argue that Aristophanes portrayal of Lysistrata is a somewhat proto-feminist idea.

However, this play clearly does not promote women taking political power. The only intended outcome of this situation is humour. Role reversal is Lysistratas true humour because to imagine a woman in a multifaceted role was insane. The view of politics in Lysistrata is somewhat different.

In the only really true political scene in the play, a quasi-agon takes place between a magistrate, who represents male authority, and Lysistrata. This scene is unusual in a number of ways: Therefore we see women taking over traditionally masculine roles, another situation that could only be described as fantasy to the original audience.


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Essays and criticism on Aristophanes' Lysistrata - Critical Essays. Knowing their physical limitations, the women decide on a plan of attack that is lead by Lysistrata. Lysistrata is the mastermind and director of the action in Lysistrata. /5(4).